A Room In Which The Only Wall Is In The Middle
Experimental Digital Arts, UCLA, 2014
Modeled after the Malaise Trap, this installation redesigned a theater to mimic a ubiquitous tent-shaped flying insect trap, which has a single wall protruding down its center. The piece includes black-out darkness with 10-channel spatialized audio, showcasing 16mm work shot along the Mid-Atlantic Ridge in locations at sea, throughout the Faroe Islands and Iceland; locations where Rene Malaise (inventor of the trap), believed to be the lost site of Atlantis.
Just as a spider’s web is a kind of relief pattern of both the fly’s and spider’s umwelt, A Room In Which The Only Wall Is In The Middle aims to weave the haecceities of different worlds into a net of sound and light. Constructed from the perspective that the cinema entangles us because of its capacity to appear to our bodies as the relief space of human psychology, ARIWTOWIITM aims to render out unlikely subjects with a human "I", or eye. The environment is thus a model of subjectivities, meeting and assembling into a conference of umwelts, human and non-human alike. When different animals and their umwelts come together they form into a gateway for the ex-personation of animality; the act of miming yourself but from a different scale of ecologic, or metabolic process.
A Room In Which The Only Wall Is In The Middle re-visions the food-chain as a closed loop, and proposes that the cinematic space of the theater, has always already been itself, a hungry being.